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UID:4386-486@www.smg-ssm.ch
CLASS: PUBLIC
SUMMARY:Vortrag Sektion Bern: Interviewing composers: why and how?
DESCRIPTION:Nicolas Donin (Genève)\n\nMusicologists alternatively love and 
 hate composers’ discourse. On the one hand, any oral or written word by a c
 omposer might illuminate their works and thoughts. On the other hand, talki
 ng about oneself is probably the most effective action a composer can do in
  order to influence their reception and frame their legacy. Their discourse
 , then, is at once unavoidable and fraught with epistemological dangers. Mo
 st of my work in the two last decades aimed at displacing the terms of the 
 composer/musicologist relationship (hopefully beyond love and hate) by way 
 of an interview methodology focusing on the creative act, devised over the 
 course of long-term collaborations with Florence Baschet (*1955), Stefano G
 ervasoni (*1962) and Philippe Leroux (*1959). I will present characteristic
  data and findings from this series of studies. I will then introduce my cu
 rrent work on/with Georges Aperghis (*1945), an exploration of the visual i
 magination of the composer through open-ended conversations, and conclude t
 hat interviewing should always be experimental to some extent.\n\nZoom-Meet
 ing beitreten\n\nhttps://unibe-ch.zoom.us/j/62367557208?pwd=L0ZFMVBhL1JmM1N
 IQThEeGNOOUF0UT09\n\nMeeting-ID: 623 6755 7208\n\nKenncode: 538322
LOCATION:Bern, Mittelstrasse 43, Raum 120 und online via ZOOM
DTSTAMP:20250310T160050Z
DTSTART:20240430T163000Z
DTEND:20240430T163000Z
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