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SUMMARY:Vortrag Sektion Zürich: How to Write (About) Cosmopolitan Music? Nation-centered Discourse, »French Music« and »École de Paris Style«
DESCRIPTION:Federico Lazzaro (Fribourg)\n\nThe foreign artists and composer
 s who lived in Paris between the two World Wars have been labelled ȃcole 
 de Paris« by some contemporaries. Behind this label lay a desire to emphasi
 ze the stylistic difference between cosmopolitan works and »French« art. At
  the time, critics systematically adopted a »nation-centered« reading of ar
 t and music, resulting in two types of reaction: on the one hand, a defense
  against the »threat« of the extinction of the French tradition; on the oth
 er, a desire to assimilate the nationals of the »young nations« born of the
  dissolution of the Austro-Hungarian Empire (in order to prevent their germ
 anization). Put to the test of musical analysis, this discourse reveals all
  the weaknesses of ideological generalizations: which musical features are 
 actually »cosmopolitan«? And which »French« music did they threaten?\n\nPro
 f. Dr. Federico Lazzaro (University of Fribourg) specializes in the cultura
 l history of music in France during the Third Republic (1870–1940). Among h
 is publications, the monograph Écoles de Paris en musique, 1920–1950: Iden
 tités, nationalisme, cosmopolitisme (Paris, Vrin, 2018) and the edited col
 lections Artistic Migration and Identity in Paris, 1870–1940 (with Steven H
 uebner, New York, Peter Lang, 2020) and Musique, disque et radio en pays fr
 ancophones, 1880–1950 (with Michel Duchesneau, Paris, Vrin, 2022).
LOCATION:Toni-Areal, Pfingstweidstrasse 96, Zürich, 3.K01, Ebene 3
DTSTAMP:20231010T120312Z
DTSTART:20231016T160000Z
DTEND:20231016T180000Z
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