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SUMMARY:Martin Stokes (London) On the (im)possibilities of "Global Music History"
DESCRIPTION:How are today's 'global music history' projects (Philip Bohlman
 's recently published Cambridge History of World Music, Reinhard Strohm's B
 alzan project, for example), faring? To what extent are they the legacy of 
 an earlier musicology, and how does that legacy make itself felt? Is such a
  history actually possible, these days? Is ethnomusicology (or 'historical 
 ethnomusicology') the natural inheritor of such a project, or are the deman
 ds of history and ethnography fundamentally at odds? And how would such a p
 roject engage critiques coming from postcolonial studies, globalization the
 ory, and sound studies? What do they limit, what do they enable in terms of
  'global music history'?\n\nSemesterprogramm FS 2017 Bern — 20.02.2017 PDF 
 412,5KB
LOCATION:Hörsaal 002, Institut für Musikwissenschaft, Hallerstr. 12, 3012 Bern
DTSTAMP:20190405T082842Z
DTSTART:20170411T161500Z
DTEND:20170411T162100Z
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